Beatrice Künzi Photography
Beatrice Künzi, the photographer, predominantly captures individuals in black and white using an analogue 4x5 inch field camera, opting out of the complexity of digital equipment or smartphones. She diverges from the frantic pace typical of photojournalism, choosing instead for a deliberate approach aimed at capturing authenticity, charisma, and the underlying essence of moments. Through her open, trusting, and attentive demeanor, Künzi fosters collaborative relationships that enable her to sensitively translate her vision into visual artistry.
Beatrice Künzi is a photographer specializing in documenting human and environmental issues, politics, culture, art, architecture, and humanitarian work. Her expertise includes portraits and concepts for exhibitions and books, with extensive experience in Italy, Mozambique, and Central America. She has collaborated with renowned media outlets like New York Times, Le Monde, NZZ, and Das Magazin, and has been a freelance contributor to Keystone photo agency since 1991. In the humanitarian sector, she has worked with organizations such as the United Nations (UNO), Swiss Corps for Humanitarian Aid (SHA), Swiss Agency for Development and Cooperation (DEZA), and UNHCR on missions in Mozambique, Costa Rica, Syria, Jordan, and Croatia. Beatrice’s work has earned awards like the Targa d’Oro "Premi Internazionali da Roma" for her reportage "Water in Rome" in 1981. Her books include Limón (1988), L'estate fiorentino (1984), and The English Cemetery (1983). Her photography has been exhibited widely, including the upcoming Museo Centro Queretano De La Imagen in Mexico (2024), The Silent Exile of Iraqis in various Swiss cities (2009), and traveling exhibitions in Central America since 1988. Her work is part of permanent collections, including the Ethnohistorical Museum in Limón, Costa Rica, and the Foundation for Photography (1992). Beatrice’s career reflects a profound commitment to capturing humanity through her lens.
